My
Cousin Vinny
The New York Times
The Living Arts
Friday, March 13, 1992
A FLASHY NEW LAWYER IN AN UNFLASHLY TOWN
By Vincent Canby
It's easy to recommend "My Cousin Vinny" from the moment
early on when Mona Lisa Vito (Marisa Tomei), a vivid young woman
from Brooklyn with a fondness for overstated clothes, gets out of
the car of longtime fiancé, Vinny Gambini (Joe Pesci), in
Wahzoo, Ala. Her first remark, uttered as a kind of informed hunch:
"I bet the Chinese food in this town in terrible."
It's even easier when Vinny, a New York lawyer who passed his bar
examination six weeks earlier (after six tries), starts to prepare
his case, which is to defend his nephew and his nephew's pal, who
have been charged with capital offense. It is not only Vinny's first
time in Alabama, but also his first time inside a courtroom as a
lawyer.
His black leather jacket, black sweater and gold chains offend the
judge (Fred Gwynne). When Vinny refers to the young defendants as
"these two yutes," the judge behaves as if Vinny is speaking
an especially esoteric Balkan dialect.
"My Cousin Vinny" is easily the most inventive and enjoyable
American film farce in a long time, even during those extended patches
when it seems to be marking time or when it continues with a running
gag that can't stay the distance.
The film has a secure and sophisticated sense of what makes farce
so delicious, which may not be surprising, since its credentials
are about as impeccable as you can find in the peccable atmosphere
of Hollywood.
It was written by Dale Launer, who wrote "Ruthless People"
and "Dirty Rotten Scoundrels" and directed by Jonathan
Lynn, the Englishman who wrote and directed "Nuns on the Run"
and collaborated on the scripts for the English television series
"Yes, Minister" and "Yes, Prime Minister." They
are very funny men.
"My Cousin Vinny" takes a little while to get going. Bill
Gambini (Ralph Macchio) and Stan Rothenstein (Mitchell Whitfield),
a couple of innocent young New Yorkers, are driving through Alabama
on their way to college when they stop at a convenience store for
supplies. As a lark, Bill shoplifts a can of tunafish.
When they are stopped a short time later by the county sheriff (Bruce
McGill) and hauled off to jail, Bill confesses. "Was it premeditated?"
asks the sheriff. Bill says it was just a spur-of-the-moment sort
of thing. Says the sheriff, "We're going to run enough electricity
through you to light up Birmingham."
Bill and Stan don't know it, but they've just been booked for the
murder of the convenience store operator, who was very much alive
when they left him. This begin the succession of epic misunderstandings
and the talking at cross-purposes that keep one laughing with "My
Cousin Vinny" past the point of absolute necessity.
The cast is very good. Mr. Pesci, recently the embodiment of out-of-control
evil in "Goodfellas" and a burglar of singular ineptitude
in "Home Alone," is a puzzled delight as he attempts to
gather his wits, being helped not at all by Mona Lisa's loudly articulated
common sense and her ability to read law books and retain their
contents.
Ms. Tomei, who appeared with Sylvester Stallone in "Oscar,"
gives every indication of being a fine comedian, whether towering
over Mr. Pesci and trying to look small, or arguing about a leaky
faucet in terms that demonstrate her knowledge of plumbing. Mona
Lisa is also a first-rate auto mechanic, which comes in handy in
the untying of the knotted story.
Mr. Gwynne heads the collection of fine comic actors who appear
in the supporting roles: Mr. McGill; Lane Smith as the courtly district
attorney, and Austin Pendleton, who plays a sincerely motivated
public defender whose only impediment is one of speech: he stutters
under stress.
As sometimes happens in a farce, the characters around whom the
action rages are played stoically (by Mr. Macchio and Mr. Whitfield),
although their import to the proceedings is forgotten for long periods
of time.
"My Cousin Vinny" is rated R (Under 17 requires accompanying
parent or adult guardian). It includes much vulgar language.
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Photos from the film
production
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| Quotes |
´I think most writers
tend to write about their youth. Or, as they say in MY COUSIN
VINNY, their "yute". I think that´s the best
movie ever made, don´t you?´
-- David Mamet
New York Times,
November. 18. 1994. |
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| Feature Articles |
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"'Vinny,' 'Jump'
score in Fox sneak previews"
by Martin A. Grove
(The Hollywood Reporter/Hollywood Report, Thursday, March
5, 1992)
"The skinny
on 'Vinny': Prod'n team's a vinner"
by Martin A. Grove
(The Hollywood Reporter/Hollywood Report, Friday, March 6,
1992)
"A Director's
British Eye on the South"
by Bernard Weinraub
(The New York Times, March 22, 1992)
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| Reviews |
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"Oh 'Vinny'
you're so fine"
by Jack Garner
(Gannett News Service, Tuesday, March 10, 1992)
"A flashy new lawyer in an unflashy
town"
by Vincent Canby
(The New York Times, The Living Arts, Friday, March 13, 1992)
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